ASCOLTA IL MESSAGGIO DELLO SCIAMANO YANOMAMI

Yanomami osserva una miniera d’oro nel suo territorio 
Fotomontaggio – Barbara Crane Navarro

(Questo video contiene immagini stroboscopiche – si consiglia la sorveglianza del visualizzatore)

Guarda (versione inglese):

https://bit.ly/ShamanMessage

versión portuguesa:

https://bit.ly/MensagemdoXama

“Ehi, guardaci!

 Ti vediamo
 Cerchiamo di mostrartelo
 Non ti sei mai preso la briga di imparare la nostra lingua
 Guardavi sempre in basso 

 Ti avvertiamo dall'inizio
 La terra è viva
 Questa terra non può essere posseduta
 Questa terra siamo noi
 Tutti noi 

 Volevi le pietre
 Oro
 Le tue cose splendenti
 Titoli - Bandiere - Profitti
 L'hai chiamato progresso 

 Cerchiamo di insegnarti
 Ma sei sempre stato così avido
 Troppo primitivo - troppo selvaggio
 capire 

 Adesso porti ancora maledizioni sugli Yanomami
 Malattie
 E di nuovo moriremo
 E tutte le terre native si trasformano in
 cenere e fango 

 Cinque secoli
 Non hai mai alzato gli occhi per scoprirlo
 quello che teniamo al suo posto
 Il paradiso stesso 

 Le tue città possono vederlo
 Le tue culture possono vederlo
 I tuoi figli possono vederlo 

 Possiamo vederlo nei tuoi polmoni
 Fai un respiro profondo
 Apri gli occhi e guarda 

 Riesci finalmente a vedere?
 
 Aiuta gli Yanomami a sostenere il cielo "

Firma la petizione:

inglese:

https://minersoutcovidout.org/

portuguesa: 

https://bit.ly/ForaGarimpoForaCovid

PER FAVORE DIRE NO ALL’ORO! E, per favore, fai regali di Feste che non distruggano la natura e le vite degli indigeni!

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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3 Responses to ASCOLTA IL MESSAGGIO DELLO SCIAMANO YANOMAMI

  1. nedhamson says:

    Reblogged this on Ned Hamson's Second Line View of the News and commented:
    LISTEN TO THE MESSAGE OF THE SHAMAN YANOMAMI

    Liked by 1 person

  2. Pingback: ASCOLTA IL MESSAGGIO DELLO SCIAMANO YANOMAMI — Barbara Crane Navarro – Tiny Life

  3. Pingback: L’arte del Greenwashing da parte dei mercanti della morte della natura e delle popolazioni indigene … nelle loro stesse parole … – Popolo della merce d’oro e di diamanti – | Barbara Crane Navarro

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