« Non vogliamo vivere in un residuo di foresta o diventare ciò che resta di esseri umani »


Donna Yanomami con pittura per il viso genipap e un batuffolo di tabacco sulla guancia, Alto Orinoco, Amazonas, Venezuela – foto: Barbara Crane Navarro

« Nel loro paese i bianchi hanno già abbattuto quasi tutti gli alberi. Mantengono solo pochi appezzamenti di foresta, che hanno recintato con recinzioni… ora intendono fare lo stesso sulle nostre terre.
Non voglio che la mia gente viva in un residuo di foresta, o che diventiamo resti di esseri umani. »

  • Davi Kopenawa, sciamano e portavoce degli Yanomami

Yanomami shabono, la casa comunale, con tabacco essiccato, Alto Orinoco, Amazonas, Venezuela – foto: Barbara Crane Navarro

Cosa pensano gli Yanomami e gli altri Indigeni dell’oro e delle altre risorse della foresta che sono state così ambite per oltre 500 anni?

Si prega di vedere il messaggio di sciamano Yanomami qui:

https://barbara-navarro.com/2022/02/05/per-favore-boicottate-loro-per-gli-yanomami-per-favore-fai-doni-che-non-distruggano-la-natura-e-la-vita-dei-popoli-indigeni-ascolta-il-messaggio-dello-sciamano-yanomami-lappello-della-fo/

La foresta amazzonica, Alto Orinoco, Amazonas, Venezuela – foto: Barbara Crane Navarro

Sì, è così facile acquistare oggetti che danneggiano le popolazioni Indigene e la natura dall’altra parte del pianeta!

Tutti dobbiamo boicottare tutti i prodotti derivanti dalla deforestazione; oro, olio di palma, legno esotico, soia, manzo, ecc. !


Distruzione della foresta nelle terre Indigene per l’oro

Per ulteriori informazioni sui problemi, vedere:

https://barbara-navarro.com/2022/07/03/restituisci-la-terra-ora-la-terra-per-gli-indigeni-non-ha-valore-commerciale-come-nel-senso-privato-del-possesso-civile-e-un-rapporto-di-identita-che-include-spiritualita-ed-esistenza/

E:

https://barbara-navarro.com/2022/03/07/letnocidio-dei-popoli-indigeni-sta-accadendo-in-nord-america-e-in-sud-america-ora/

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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2 Responses to « Non vogliamo vivere in un residuo di foresta o diventare ciò che resta di esseri umani »

  1. Pingback: « Non vogliamo vivere in un residuo di foresta o diventare ciò che resta di esseri umani » | Ned Hamson's Second Line View of the News

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