Destrucción ambiental de la minería de oro en la Amazonía – Los Yanomami están muriendo de malaria y el Covid-19 propagado por los mineros de oro

foto: destrucción ambiental de la minería de oro en la Amazonía
“Los Yanomami están muriendo de malaria y el Covid-19 propagado por los mineros de oro” – dibujo en papel – Anoami Yanomami 

Destrucción de la extracción de oro en la selva amazónica: la extracción de oro y el uso indiscriminado de mercurio para encontrar oro convierte partes de los ecosistemas con mayor biodiversidad del mundo en un paisaje lunar venenoso y de pesadilla.

Hasta el 75% del oro extraído cada año se utiliza en joyas, relojes y otros símbolos de estatus vanos e inútiles vendidos por Cartier y otras empresas de lujo en todo el mundo.

Decenas de miles de árboles de la selva tropical deben ser arrancados de raíz, cientos de toneladas de tierra extraídas y mezcladas con decenas de toneladas de contaminantes ambientales tóxicos que contaminan las tierras nativas para este anillo de oro especial …

https://barbara-navarro.com/2020/04/26/el-verdadero-costo-de-las-joyas-de-lujo-los-carteles-lavan-dinero-de-las-drogas-vendiendo-oro-en-sangre-a-cartier-y-a-otros-en-la-industria-del-lujo-y-los-comunidades-indigenas-estan-pagando-el-prec/

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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1 Response to Destrucción ambiental de la minería de oro en la Amazonía – Los Yanomami están muriendo de malaria y el Covid-19 propagado por los mineros de oro

  1. Pingback: Destrucción ambiental de la minería de oro en la Amazonía – Los Yanomami están muriendo de malaria y el Covid-19 propagado por los mineros de oro — Barbara Crane Navarro | Ned Hamson's Second Line View of the News

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