who is barbara? crane? navarro? — utahan15


“who is barbara crane? navarro? and why does nothing but another same screen appear when i try to visit her sight that is names not the same would you wanna be jezebel or benedict judas or herod fuck no hey barbara hit me up tell me more like what is the real score eh?”

Here’s my reply: Hey, poet! Thanks so much for your interest in my whereabouts! I’m here: http://www.barbaranavarro.com and you can subscribe to my YouTube channel here: https://www.youtube.com/@barbaracranenavarro

And if you need more details about my work and my life, I can be reached by email here: b.crane.navarro@gmail.com

Cheers, Barbara


I just visited my sight and it’s as I last left it; working fine…

Plus, here I am on Twitter: https://twitter.com/BarbaraNavarro

Here’s one of my pages on WordPress: https://wordpress.com/page/barbara-navarro.com/83

Here’s another one: https://wordpress.com/page/barbara-navarro.com/295

Here’s a third: https://wordpress.com/page/barbara-navarro.com/3714

And Don’t Miss this one!: https://wordpress.com/page/barbara-navarro.com/21668

If anyone else is curious about me and what appears to be a mystery in Utah, let me know on WordPress or by email anytime!

Thanks, Barbara

who is barbara crane? — utahan15

Barbara Crane Navarro in the Venezuelan Amazon with Yanomami women in the Alto Orinoco region making ear ornaments

* The real mystery question is: what are they using to make these extraordinarily beautiful ear ornaments?

Barbara Crane Navarro burning totemic sculptures in Paris France – Puerto Ayacucho Venezuela – Arata-teri Alto Orinoco Yanomami territory

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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3 Responses to who is barbara? crane? navarro? — utahan15

  1. Pingback: who is barbara? crane? navarro? — utahan15 | Ned Hamson's Second Line View of the News

  2. Pingback: ¿Quién es Bárbara Crane Navarro? who is barbara? crane? navarro? — utahan15 — Barbara Crane Navarro¿? – mimismo

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