« Na ausência do sagrado, tudo está à venda. »

Floresta tropical ao longo do rio Orinoco, Amazonas, Venezuela – foto: Barbara Crane Navarro

« O ambiente não é aqui. O ambiente não está ali. Você é o meio ambiente. »

« O que você chama de seus recursos naturais, nosso povo chama nossos pais. »

– Oren Lyons, nação Seneca

Devemos adorar a floresta, rios, céu – Natureza –

 novamente …

Assista a este filme de 2 minutos e 27 segundos que mostra momentos da vida Yanomami na Amazônia, Venezuela e a performance artística “A Escultura do Fogo” queimando nas margens do Rio Orinoco para protestar contra a destruição contínua da floresta tropical e a degradação de vidas indígenas:

NÃO à destruição pelo Arco de Mineração Orinoco por Maduro das terras indígenas da Venezuela!

NÃO à abolição pelo Bolsonaro das proteções dos territórios indígenas no Brasil!


E por favor, dê presentes que não destruam a natureza e a vida dos povos indígenas!

A EXPOSIÇÃO ESTÁ ESTENDIDA – “Pas de Cartier!” – Os Yanomami e as árvores – Mineração de ouro e ouro de luxo / COVID-19 disseminada pelos garimpeiros … agora até 12 de novembro de 2021

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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3 Responses to « Na ausência do sagrado, tudo está à venda. »

  1. nedhamson says:

    Reblogged this on Ned Hamson's Second Line View of the News and commented:
    In the absence of the sacred, everything is for sale.

    Liked by 1 person

  2. Pingback: « Na ausência do sagrado, tudo está à venda. » — Barbara Crane Navarro – Tiny Life

  3. Pingback: « Na ausência do sagrado, tudo está à venda. » – Mágica Mistura✨

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