« The only reason the forest does not yet turn to chaos is that a few great shamans are still making their powerful spirits dance to protect it »


A Yanomami shaman summoning the spirits to prevent intruders from destroying the forest – drawing on paper: Wacayowë Yanomami                    

A Yanomami shaman summoning the spirits to prevent intruders from destroying the forest – drawing on paper: Wacayowë Yanomami    

« The shaman’s xapiri spirits angrily crash the gold prospectors airplanes into the forest. It’s true! This happened when a very great shaman died of malaria propagated by gold miners. Several gold prospectors’ airplanes crashed in the treetops at that time. I saw their wrecked shells abandoned in the forest with my own eyes.

The shamans do not only repel these dangerous things to protect the inhabitants of the forest. They also work to protect the white people who live under the same sky.

If the xawara epidemic continues to invade our land, the shamans will all die and no one will be able to stop the forest from turning into chaos anymore.

For us, what the white people call ‘future’ is to protect the sky from the xawara epidemic fumes in order to keep it healthy. » 

– Yanomami spokesman and shaman Davi Kopenawa


A  Yanomami man aiming his arrow – photo, Amazonas, Venezuela, and photo montage: Barbara Crane Navarro

« Avio » art installation by the collective Los Carpinteros 

Please watch this 2 minute 41 second film showing instants of Yanomami life and a shamanic initiation in Amazonas, Venezuela and the art performance « TheWay of the Shaman » created to protest ongoing destruction of the rainforest and the degradation of indigenous lives:

Please also watch this 48 second film of the light installation « Yanomami shamans struggle against xawara smoke of epidemics » included here:

THE EXHIBITION IS PROLONGED – “Pas de Cartier !” – Yanomami and Trees – Gold Mining and Gold Luxury items / COVID-19 propagated by Gold Miners…now through November 12th 2021

NO to Maduro’s Orinoco Mining Arc destruction of indigenous lands in Venezuela!

NO to Bolsonaro’s removal of protections for indigenous territories in Brazil!

Gold mining and the indiscriminate use of mercury to ferret out gold are turning swaths of the world’s most biodiverse ecosystems into a nightmarish moonscape!

PLEASE DO NOT BUY OR USE GOLD!

And please give gifts that don’t destroy nature and the lives of indigenous peoples!

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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2 Responses to « The only reason the forest does not yet turn to chaos is that a few great shamans are still making their powerful spirits dance to protect it »

  1. nedhamson says:

    Reblogged this on Ned Hamson's Second Line View of the News and commented:
    The planet and all its living entities are at risk for short term profit and riches for very few.

    Liked by 1 person

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