Yanomami boy’s surprise friend in the jungle! 

Sometimes we miss the most beautiful moments – DON’T MISS THIS ONE! 

A 38 second film with Namowë, a Yanomami boy in the Alto Orinoco region, Amazonas, Venezuela 

An excerpt of a film by Barbara Crane Navarro of instants of daily life of a Yanomami community in the Amazon Rainforest of Venezuela made to accompany the children’s book series: “Amazon Rainforest Magic” “La Magie de l’Amazonie” and “La Magia de la Amazonia” 


Yanomami boy and monkey in the communal house – Photo: Barbara Crane Navarro

« My grandparents fished to feed the community in this river. Now it’s just sludge, gasoline, diesel and mercury contamination. Fish die and our Yanomami land is dying. 

We Yanomami suffer, we don’t have peace. The gold miners destroy our houses (Yanopë), destroy our forest (Urihi), destroy our spirituality of the shaman and spirits of the forest (Xapori and Ayakora).

The gold miners took everything, our safety & our health. » 

  • Júnior Herurari Yanomami
https://palmoildetectives.com/2021/12/07/here-are-13-reasons-why-you-should-boycottgold4yanomami/

Yanomami child playing in the river – Photo: Barbara Crane Navarro

The current gold rush in the Amazon region is detailed in eloquent  images here in this report (text in English / Portuguese):

report 


Gold jewelry from gold mines in the Amazon by Cartier

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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2 Responses to Yanomami boy’s surprise friend in the jungle! 

  1. Pingback: Yanomami boy’s surprise friend in the jungle!  — Barbara Crane Navarro – Tiny Life

  2. Pingback: Yanomami boy’s surprise friend in the jungle!  — Barbara Crane Navarro | Ned Hamson's Second Line View of the News

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