« Amazon Rainforest Magic describes the journey of a Yanomami boy through the Amazon rainforest to find a cure for his sick baby sister. He encounters talking animals and plants who help him. The book is written in the vein of “The Jungle Book” and “The Once and Future King“, ostensibly books for children that are equally relevant to adults. The language is amusing and original, especially when the different characters talk and plot among themselves such as the Electric Eel or the Backwards Grass, which causes anyone who steps on it to lose their way. Interwoven with unexpected and surprising imaginary tales are real facts of Yanomami life and customs. We get an accurate picture of an ancestral community; hunting and fishing techniques, living quarters, art and social customs – a way of life that is now endangered. »
Sometimes we miss the most beautiful moments – DON’T MISS THIS ONE! A 38 second film with Namowë, a Yanomami boy in the Alto Orinoco region, Amazonas, Venezuela An excerpt of a film by Barbara Crane Navarro of instants of daily life of a Yanomami community in the Amazon Rainforest of Venezuela made to accompany the children’s book series: “Amazon Rainforest Magic” “La Magie de l’Amazonie” and “La Magia de la Amazonia” For ages 8 to 12 to 100! – written and illustrated by Barbara Crane Navarro
About Barbara Crane Navarro - Rainforest Art Project
I'm a French artist living near Paris.
From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA.
My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil.
Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye.
Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements.
My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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