DON’T BUY GOLD — For all Amazonian tribes, the forest is the most precious asset. – THE PRODIGY OF IDEAS. — Tiny Life


AGUA BRANCA GOLD MINING VILLAGE, PARA STATE, BRAZIL – 2010/11/08: Gold mining, Amazon deforestation – hydraulic mining known as “chupadeira system”, a form of mining that uses high-pressure jets of water to dislodge rock material or move sediment. Workers clear the designated work front and then dug down to the level of ore-bearing material. Large and deep holes are made in forest land. Amazon rain forest deforestation, Agua Branca gold mining village, Para State, Brazil. (Photo by Ricardo Funari/Brazil Photos/LightRocket via Getty Images)

For all Amazonian tribes, the forest is the most precious asset. For all Amazonian tribes, the forest is their home and their life. But whites don’t see a forest, they only see gold. They seek it, they want it at all costs, they demand it and they will cause the death of all. Because if […] […]

DON’T BUY GOLD — For all Amazonian tribes, the forest is the most precious asset. – THE PRODIGY OF IDEAS. — Tiny Life

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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1 Response to DON’T BUY GOLD — For all Amazonian tribes, the forest is the most precious asset. – THE PRODIGY OF IDEAS. — Tiny Life

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