What do YOU consider « offensive »? – updated

Barbara Crane Navarro

« The gold miners dig everywhere like wild pigs. The forest’s rivers will soon be no more than miry backwaters, full of mud, motor oil, and trash. They also wash their gold powder in the streams, mixing it with mercury. All these dirty and dangerous things make the waters sick and the fish’s flesh soft and rotten. After the gold prospectors arrived the forest had become bad and was filled with xawara epidemic fumes. Since the gold miners arrived among us most of our fathers and grandfathers were devoured by their diseases.» – Yanomami spokesman and shaman Davi Kopenawa

What is my personal point of view regarding «obscenity»?

I’ve had occasional problems, over many years, with photos of Yanomami living traditionally in the rainforest that I posted on Facebook. Due to censorship concerning their «community standards». Facebook removes the «offending» photos and I’ve been sanctioned by having my ability to…

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About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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1 Response to What do YOU consider « offensive »? – updated

  1. Pingback: What do YOU consider « offensive »? – updated — Barbara Crane Navarro – Tiny Life

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