A Arte do Greenwashing – “Lavagem verde” por Mercadores de Luxo e Morte da Natureza e Povos Indígenas … em suas próprias palavras … – O Povo das Mercadorias de Ouro e Diamante – atualizado

Barbara Crane Navarro

“Sua verdadeira natureza # 1 – Fondation Cartier
fotos: Fundação Cartier – Luc Boegly / garimpo de ouro – João Laet foto de Yanomami, Alto Orinoco, Amazonas, Venezuela e fotomontagem – Barbara Crane Navarro

Na “Utopia” de Thomas More, publicada em 1516, ouro e pedras preciosas não têm valor. Na verdade, eles têm o peso do sangue, da escravidão e da loucura humana …

A Arte da Manipulação:
O conceito corporativo de patrocínio artístico foi perfeitamente descrito por Hans Haacke em “Libre-Echange“, o livro de Pierre Bourdieu e Hans Haacke, publicado pela Editions du Seuil / les presses du Réel em 1994, que cito um trecho aqui: “Mas seria subestimar a Bienal … acreditar que é apenas uma ajuda ao desenvolvimento em favor do sítio de Veneza e que se trata aqui apenas de participações no mercado de arte secular. . Pelo menos, a Philip Morris…

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About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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2 Responses to A Arte do Greenwashing – “Lavagem verde” por Mercadores de Luxo e Morte da Natureza e Povos Indígenas … em suas próprias palavras … – O Povo das Mercadorias de Ouro e Diamante – atualizado

  1. Pingback: A Arte do Greenwashing – « Lavagem verde » por Mercadores de Luxo e Morte da Natureza e Povos Indígenas … em suas próprias palavras … – O Povo das Mercadorias de Ouro e Diamante – atualizado — Barbara Crane Navarro – Tiny Life

  2. Pingback: A Arte do Greenwashing – “Lavagem verde” por Mercadores de Luxo e Morte da Natureza e Povos Indígenas … em suas próprias palavras … – O Povo das Mercadorias de Ouro e Diamante – atualizado – The Art of Greenwashing – “Green w

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