A truly magical journey – “Amazon Rainforest Magic The adventures of Meromi, a Yanomami girl”

illustration from “Amazon Rainforest Magic – The adventures of Meromi, a Yanomami girl”

The second volume of the Amazon Rainforest Magic series recounts the surprising voyage of Meromi, a Yanomami girl who is swept into an unexpected adventure in the rivers and jungles of the Amazon.  It is a truly magical journey for Meromi as she learns more about the ways of the jungle and her place in the Yanomami community.

Barbara Crane Navarro’s passion and concern for the Yanomami and the nature they depend on is clearly illustrated in her words and art in these little books. Who on this planet does not have a stake in what happens to the Amazon Rainforest ? 

Sharing these children’s books insures that new generations will pay attention to the fragility of life in the rainforest and to the indigenous people trying to maintain their way of life where they have lived for millennia. 

review by K.P. Muir

More information about the book series is here:

https://barbara-navarro.com/2020/11/30/amazon-rainforest-magic-y-la-magia-de-la-amazonia-et-la-magie-de-lamazonie-english-espanol-francais/

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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1 Response to A truly magical journey – “Amazon Rainforest Magic The adventures of Meromi, a Yanomami girl”

  1. Pingback: A truly magical journey – « Amazon Rainforest Magic The adventures of Meromi, a Yanomami girl » — Barbara Crane Navarro – Tiny Life

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