Au coeur de la forêt tropicale ! – “La Magie de l’Amazonie Les aventures de Meromi, une fille Yanomami”


illustration tirée de “La Magie de l’Amazonie Les aventures de Meromi, une fille Yanomami”

Un cadeau de Noël cette année, nous avons lu des parties de ce conte à haute voix pendant plusieurs soirées. Notre fils de 8 ans était impatient d’entendre ce qui allait suivre. Ce sujet était nouveau pour lui et il était fasciné par l’apprentissage des rituels des chamans, des traditions avec des plantes et des détails de la vie des Yanomami en Amazonie. Il adorait les plantes et les animaux qui parlaient et se réjouissait des noms de tous les personnages (il adorait rouler les noms dans sa bouche longtemps après que l’histoire ait été racontée). 

L’histoire est soutenue par de belles illustrations intrigantes et la conception graphique très originale du livre. C’est un conte qui doit être entre les mains d’un plus grand nombre d’entre nous, jeunes et moins jeunes!

Évaluation rédigée par J. Harris

Plus d’informations sur la série de livres sont ici:

https://barbara-navarro.com/2020/11/30/amazon-rainforest-magic-y-la-magia-de-la-amazonia-et-la-magie-de-lamazonie-english-espanol-francais/

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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3 Responses to Au coeur de la forêt tropicale ! – “La Magie de l’Amazonie Les aventures de Meromi, une fille Yanomami”

  1. nedhamson says:

    Reblogged this on Ned Hamson's Second Line View of the News and commented:
    In the heart of the tropical forest! – “The Magic of the Amazon The Adventures of Meromi, a Yanomami Girl”

    Liked by 1 person

  2. Pingback: Au coeur de la forêt tropicale ! – « La Magie de l’Amazonie Les aventures de Meromi, une fille Yanomami » — Barbara Crane Navarro – Tiny Life

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