Aventures chamaniques – “La Magie de l’Amazonie Les aventures de Meromi, une fille Yanomami”


illustration tirée de « La Magie de l’Amazonie Les aventures de Meromi, une fille Yanomami”

“Ce deuxième volume de la série Amazon Rainforest Magic est aussi charmant et engageant que le premier. L’histoire continue le fil du livre précédent et les personnages semblent être de vieux amis.

Meromi, une fille Yanomami maintenant âgée de 9 ans, est une guérisseuse née et elle veut devenir chaman – et elle est encore plus résolue puisque les adultes de sa communauté disent que les filles ne peuvent pas … Avec l’aide d’alliés improvisés, elle cherche un moyen de décourager les intrus et de les faire quitter la forêt. Il est temps pour Meromi d’utiliser son don pour parler avec les animaux…

Des aspects de la vie traditionnelle des Yanomami dans la forêt tropicale sont tissés dans l’histoire fantaisiste. Les illustrations enchanteresses de l’auteur transforment les lecteurs en compagnons de voyage dans la quête magique de Meromi.

Un livre pour les jeunes et les autres qui savent encore rêver.”

Évaluation rédigée par J. Pope and G. McLean

Plus d’informations sur la série de livres sont ici:

https://barbara-navarro.com/2020/11/30/amazon-rainforest-magic-y-la-magia-de-la-amazonia-et-la-magie-de-lamazonie-english-espanol-francais/

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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3 Responses to Aventures chamaniques – “La Magie de l’Amazonie Les aventures de Meromi, une fille Yanomami”

  1. nedhamson says:

    Reblogged this on Ned Hamson's Second Line View of the News and commented:
    Shamanic Adventures – “The Magic of the Amazon The Adventures of Meromi, a Yanomami Girl”

    Liked by 1 person

  2. Pingback: Aventures chamaniques – « La Magie de l’Amazonie Les aventures de Meromi, une fille Yanomami » — Barbara Crane Navarro – Tiny Life

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