Une histoire significative pour les enfants et les adultes – “La Magie de l’Amazonie Les aventures de Namowë, un garçon Yanomami”

illustration tirée de « La Magie de l’Amazonie Les aventures de Namowë, un garçon Yanomami”

La Magie de l’Amazonie décrit le voyage d’un garçon Yanomami à travers la forêt tropicale amazonienne pour trouver un remède pour sa sœur malade. Il rencontre des animaux et des plantes parlant qui l’aident. Le conte est écrit dans la veine de “Livre de la Jungle” un livre ostensiblement pour les enfants qui est tout aussi pertinent pour les adultes.

Le langage est amusant et original, surtout quand les différents personnages parlent et complotent entre eux tels que l’Anguille électrique ou l’Herbe à la Recule (qui amène toute personne qui marche dessus à perdre son chemin).

Des coutumes des Yanomami et les faits réels sont entremêlés de récits imaginaires inattendus et surprenants.  Nous obtenons une image d’une communauté ancestrale; techniques de chasse et pêche, quartiers d’habitation, art et coutumes sociales – un mode de vie aujourd’hui menacé.

Évaluation rédigée par M. Howard

Plus d’informations sur la série de livres sont ici:

https://barbara-navarro.com/2020/11/30/amazon-rainforest-magic-y-la-magia-de-la-amazonia-et-la-magie-de-lamazonie-english-espanol-francais/

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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2 Responses to Une histoire significative pour les enfants et les adultes – “La Magie de l’Amazonie Les aventures de Namowë, un garçon Yanomami”

  1. Pingback: Une histoire significative pour les enfants et les adultes – “La Magie de l’Amazonie Les aventures de Namowë, un garçon Yanomami” — Barbara Crane Navarro | Ned Hamson's Second Line View of the News

  2. Pingback: Une histoire significative pour les enfants et les adultes – « La Magie de l’Amazonie Les aventures de Namowë, un garçon Yanomami » — Barbara Crane Navarro – Tiny Life

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