How States Are Addressing Violence Against Indigenous Women — Stigmatis

From Wyoming to Wisconsin, states are taking steps to address the crisis of murdered and missing Native American women. Will they make a difference? Chances are, you probably haven’t heard about Pepita Redhair, a 27-year-old Navajo woman who’s been missing since March 2020, when she was last seen in Albuquerque, New Mexico. Or of RoyLynn Rides Horse, […]

How States Are Addressing Violence Against Indigenous Women — Stigmatis
Unknown's avatar

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
This entry was posted in Uncategorized. Bookmark the permalink.

4 Responses to How States Are Addressing Violence Against Indigenous Women — Stigmatis

  1. christinenovalarue's avatar christinenovalarue says:

    🖤

    Liked by 1 person

  2. Richard L. Thornton's avatar alekmountain says:

    People outside the Native American communities and in other countries do not realize the scale of what’s going on in the United States. In 2021 alone, there were 5,295 reports of missing or murdered Native American women and girls in the genocide! This is genocide. It has been going on a long, long time. My grandmother’s 16 year old sister was raped and then hung from a tree just outside their community. The animals, who did this, were trying to scare the Creek Indian families off the prime farm land that they owned. There was another factor in that Creek women are as a whole are prettier that Caucasians.

    Liked by 1 person

Leave a comment