Un viaje verdaderamente mágico – “La Magia de la Amazonia Las aventuras de Meromi, una niña Yanomami”

ilustración de “Amazon Rainforest Magic – Las aventuras de Meromi,una niña Yanomami”

El segundo volumen de la serie Amazon Rainforest Magic narra el sorprendente viaje de Meromi, una niña Yanomami que se ve envuelta en una aventura inesperada en los ríos y selvas del Amazonas. Es un viaje verdaderamente mágico para Meromi a medida que aprende más sobre los caminos de la jungla y su lugar en la comunidad Yanomami.

La pasión y preocupación de Barbara Crane Navarro por los Yanomami y la naturaleza de la que dependen es evidente en sus palabras y arte en estos pequeños libros. ¿A quién en este planeta no le interesa lo que le está sucediendo a la selva amazónica?

Compartir estos libros para niños asegura que las nuevas generaciones presten atención a la fragilidad de la vida en la selva y a los pueblos indígenas que tratan de mantener su estilo de vida donde han vivido durante milenios.

Revisión escrita por K.P. Muir

Más información sobre la serie de libros está aquí:

https://barbara-navarro.com/2020/11/30/amazon-rainforest-magic-y-la-magia-de-la-amazonia-et-la-magie-de-lamazonie-english-espanol-francais/

About Barbara Crane Navarro - Rainforest Art Project

I'm a French artist living near Paris. From 1968 to 1973 I studied at Rhode Island School of Design in Providence, Rhode Island, then at the San Francisco Art Institute in San Francisco, California, for my BFA. My work for many decades has been informed and inspired by time spent with indigenous communities. Various study trips devoted to the exploration of techniques and natural pigments took me originally to the Dogon of Mali, West Africa, and subsequently to Yanomami communities in Venezuela and Brazil. Over many years, during the winters, I studied the techniques of traditional Bogolan painting. Hand woven fabric is dyed with boiled bark from the Wolo tree or crushed leaves from other trees, then painted with mud from the Niger river which oxidizes in contact with the dye. Through the Dogon and the Yanomami, my interest in the multiplicity of techniques and supports for aesthetic expression influenced my artistic practice. The voyages to the Amazon Rainforest have informed several series of paintings created while living among the Yanomami. The support used is roughly woven canvas prepared with acrylic medium then textured with a mixture of sand from the river bank and lava. This supple canvas is then rolled and transported on expeditions into the forest. They are then painted using a mixture of acrylic colors and Achiote and Genipap, the vegetal pigments used by the Yanomami for their ritual body paintings and on practical and shamanic implements. My concern for the ongoing devastation of the Amazon Rainforest has inspired my films and installation projects. Since 2005, I've created a perfomance and film project - Fire Sculpture - to bring urgent attention to Rainforest issues. To protest against the continuing destruction, I've publicly set fire to my totemic sculptures. These burning sculptures symbolize the degradation of nature and the annihilation of indigenous cultures that depend on the forest for their survival.
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2 Responses to Un viaje verdaderamente mágico – “La Magia de la Amazonia Las aventuras de Meromi, una niña Yanomami”

  1. nedhamson says:

    Reblogged this on Ned Hamson's Second Line View of the News and commented:
    A truly magical journey – “The Magic of the Amazon The adventures of Meromi, a Yanomami girl”

    Liked by 1 person

  2. Pingback: Un viaje verdaderamente mágico – « La Magia de la Amazonia Las aventuras de Meromi, una niña Yanomami » — Barbara Crane Navarro – Tiny Life

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